Friday, 31 December 2010

One Foot Wrong by Sofie Laguna

I’m not sure what I was expecting when I received a copy of this book, but it certainly wasn’t what I got. It was better. This novel is unlike anything I have read before. It is uniquely captivating. It is so well written that from the very first sentence I was Hester’s head, seeing and experiencing things through her eyes, rather from the eyes of the omniscient narrator.

It is difficult to accurately describe Hester, not because Laguna has forgotten to include such details, but because Hester does not notice physicalities. It initially seems that Hester was born with disabilities that mean she sees the world in a way entirely unlike the average adult (whatever average may mean). But as the novel continues is becomes apparent that Hester is the product of a deranged mother and an abusive father, whom she calls Boot and Sack, and a society that continually fails her.

Perhaps the best way to depict the genius of Laguna’s prose is to provide you with an extract. I’ve chosen the very first paragraph so as not to reveal too much of the plot.

I slept at the feet of Boot and Sack. My one small bed went longways across the end of their big one. If I turned my head in the night and the moon was shining through, I could see the hill of Boot’s feet beside my face. Sack’s feet I couldn’t see but I knew they were there – no shoes, tipper-over and sleeping.


Yet despite the simplicities and abnormalities of Hester’s mind, Laguna manages to incorporate prose that subtly informs us that Hester is not as stupid as her parents believe, and is capable of feeling far more than they will ever realise. In addition Laguna cleverly reveals the reasons behind Hester’s differences.

Yellow wool wrapped itself around Cat’s black paws; she rolled onto her back, wool curled around her tum. It went round and around until Cat was in a yellow tangle. Every way she moved she tangled more. Cat was playing like the children at Christ’s feet when he made a visit to the marketplace in The Abridged Picture Bible.


As the plot thickens Hester is seemingly offered an escape in the form of school during which time, despite the cruelty of many of her classmates, she manages to nurture a friendship. Unfortunately for Hester her luck does not last, and soon her life takes a much more sinister path.

Not only does Laguna successful portray the thoughts and feelings of a young girl to whom society all too often turns a blind eye, she highlights inadequacies in society’s treatment of those with disabilities. This is a book that whilst revealing horrors, also finds sublime innocence. It is a unique, fascinating read.

One Foot Wrong has been nominated for the Miles Franklin Literary Award and the Prime Minister's Literary Award for Fiction.
One Foot Wrong by Sofie Laguna, published by Allison & Busby is available now.

Tuesday, 28 December 2010

Season's Greetings

I have been such a bad blogger! Time has been flying by so quickly that I didn't realise it had been over a month since my last post. I hope you have all been enjoying the festive season and I will be back in action in the New Year with lots of juicey literary titbits for you to feast on.
Merry Christmas and a Happy New Year

Friday, 19 November 2010

Green Books

Whilst scrolling through the many publishing related newsletters that land in my inbox everyday, I noticed the latest research carried out by the Rainforest Action Network. They recently conducted research on which children's publishers are most committed to rainforest protection, and have now published a simple guide based on these findings. According to their sources Hachette, Penguin, Simon and Schuster, Scholastic, Macmillan and Houghton Mifflin Harcourt are all recommended. That is that these publishers 'are committed to the protection of Indonesia's forests, and forests worldwide. They have committed to phasing out controversial Indonesian fiber and suppliers APP and APRIL until reforms are achieved and have a comprehensive environmental paper policy or a commitment to create one'. Random House and Sterling Publishing recieved 'can do better' labels as although they are committed to improving paper practices, they have not committed to avoiding controversial suppliers. On the other hand, Disney, HarperCollins and Candlewick Press were all tarnished with the 'avoid' label as they have 'no commitment to protecting Indonesia's or other endangered rainforests. They do not have public, environmental paper policies'.

This got me thinking about how green I am with my book choices. I'd like to think I do my bit environmentally; I recycle papers, plastics, tins, glass and food waste; I have a garden waste compost bin, I buy my milk from the milk man (with glass bottles and an electric delivery float), I always buy recycled notebooks, cards and so forth. But when it comes to books it would seem I'm pretty ignorant.

I began by consulting my trusty friend Google, about publishers using recycled paper and I came across this rather interesting report from Eco-Libris.

Number of new titles published annually in the U.S.: 172,000

Number of books produced annually in the U.S.: 4.15 billion

Number of books sold annually in the U.S.: 3.09 billion

Annual net sales of books in the U.S.: $23.9 billion

Annual net sales of e-Books in the U.S.: $313 million

Annual Revenue of  European Book publishers: Euro 22.3 billion

Number of book publishers in the U.S.: over 80,000

Top 5 Book Formats: Trade paperback (35%), Hardcover (35%), Mass market paperback (21%), Audio (2%), E-book (2%), Other (5%).

Number of U.S. book publishers who signed the Book Industry Treatise on Responsible Paper Use initiated by the Green Press Initative to improve their ecological footprint: about 250

Market share of publishers with environmental policies in place and goals for increasing their recycled/FSC-certified paper usage: about half.

The number of trees that are cut down annually to produce the books sold in the U.S.: more than 30 million.

Percentage of recycled paper currently used by U.S. book publishers in the production of books: 5-10%

The carbon footprint of a book: 8.85 lbs, in cardbon dioxide terms.

The total carbon footprint of the book publishing industry: 12.4 million metric tons.

The biggest contributor to the industries footprint: using virgin paper.

Thursday, 18 November 2010

National Book Awards

Beginning in 1950, the National Book Awards have recognised great creatives for sixty years. It 'continues to recognise the best of American literature, raising the cultural appreciation of great writing in the country while advancing the careers of both established and emerging writers'. From the 1,115 books submitted, the winners have been announced. For futher information and for interviews with all the winners and those shortlisted, go to the National Book Awards website.

Fiction

Lord of Misrule by Jaimy Gordon

Nonfiction

Just Kids by Patti Smith

Poetry

Lighthead by Terrance Hayes

Young People's Literature

Mockingbird by Kathryn Erskine 

Costa Shortlist

The Costa book awards recognise the most enjoyable books from English and Irish based writers in the categories first novel, novel, biography, poetry and children's book. The shortlist was announced earlier this week, and the winners will be announced on 5th January. To find out more visit the Costa Book Awards website.

Costa First Novel Award
Witness the Night by Kishwar Desai
Coconut Unlimited by Nikest Shukla
The Temple-Goers by Aatish Taseer
Not Quite White by Simon Thirsk 
Costa Novel Award
Whatever You Love by Louise Doughty
The Blasphemer by Nigel Farndale
The Hand That First Held Mine by Maggie O'Farrell
Skippy Dies by Paul Murray
Costa Biography Award
How to Live A Life of Montaigne by Sarah Bakewell
My Father's Fortune by Michael Frayn
The Hare with Amber Eyes by Edmund de Waal
Costa Poetry Award
Standard Midland by Roy Fisher
The Wrecking Light by Robin Robertson
Of Mutability by Jo Shapcott
New Light for the Old Dark by Sam Willetts
Costa Children's Book Award
Flyaway by Lucy Christopher
Annexed by Sharon Dogar
Bartimaeus: The Ring of Solomon by Jonathan Stroud
Out of Shadows by Jason Wallace